Reframing immersive theatre

the politics and pragmatics of participatory performance

James Frieze

1-25

On being immersed

the pleasure of being

Josephine Machon

29-42

In the body of the beholder

insider dynamics and extended audiencing transform dance spectatorship in sleep no more

Julia M. Ritter

43-62

Troubling bodies in follow the north star

Ruth Laurion Bowman

63-76

Experiencing Michael Mayhew's Away in a manger

spectatorial immersion in durational performance

Roberta Mock

77-91

Integrating realities through immersive gaming

Lindsay Brandon Hunter

93-102

Negotiating the possible worlds of uninvited guests' make better please

a hypertextual experience

Elizabeth Swift

103-118

Outdoors

a rimini protokoll theatre-maze

Esther Belvis Pons

119-127

Immersed in sound

Kursk and the phenomenology of aural experience

George Home-Cook

129-134

Caravania!

intimacy and immersion for family audiences

Adam J. Ledger

145-150

A dramaturgy of participation

participatory rituals, immersive environments, and interactive gameplay in hotel medea

Jorge Lopes Ramos, Persis Jade Maravala

151-169

She wants you to kiss her

negotiating risk in the immersive theatre contract

Richard Talbot

171-191

The fourth wall and other ruins

immersive theatre as a brand

Rachael Blyth

193-198

Immersive performance and the Marketplace

the hit

Sherrill Gow, Merryn Owen

199-202

Spectral illusions

ghostly presence in phantasmagoria shows

Nele Wynants

207-220

Playing a punchdrunk game

immersive theatre and videogaming

Rosemary Klich

221-228

Proximity to violence

war, games, glitch

James R. Ball

229-242

The promise of experience

immersive theatre in the experience economy

Adam Alston

243-264

Differences in degree or kind? Ockham's razor's not until we are lost and punchdrunk's the drowned man

a hollywood fable

Géraldine Harris

265-288

Coriolan/us and the limits of "immersive"

Andrew Filmer

289-302

Participation, ecology, cosmos

Carl Lavery

303-315