If an artwork could speak

aesthetic understanding after Wittgenstein

2017

Constantine Sandis

in: Wittgenstein on aesthetic understanding, Basingstoke,

Improvisation and imagination in Wittgenstein's investigations

2017

Beth Savickey

in: Wittgenstein on aesthetic understanding, Basingstoke,

Is a narrative a something or a nothing?

2017

Robert Chodat

in: Wittgenstein on aesthetic understanding, Basingstoke,

Narrative aspect change and alternating systems of justice

a Wittgensteinian reading of Borges

2017

Shlomy Mualem

in: Wittgenstein on aesthetic understanding, Basingstoke,

Seeing stars

the reception and ontology of movie stars

2017

David Goldblatt

in: Wittgenstein on aesthetic understanding, Basingstoke,

The aesthetic dimension of Wittgenstein's later writings

2017

William Day

in: Wittgenstein on aesthetic understanding, Basingstoke,

The philosophy of the face

2017

Bernard Rhie

in: Wittgenstein on aesthetic understanding, Basingstoke,

Thinking the poem

Elizabeth Bishop's transcendental "Crusoe in England" (for example)

2017

Walter Jost

in: Wittgenstein on aesthetic understanding, Basingstoke,

Wittgenstein and the inner character of musical experience

2017

Gary Kemp

in: Wittgenstein on aesthetic understanding, Basingstoke,

Wittgenstein on aesthetic understanding

2017

Garry L. Hagberg (ed)

Basingstoke, Palgrave Macmillan

Wittgenstein on musical depth and our knowledge of humankind

2017

Eran Guter

in: Wittgenstein on aesthetic understanding, Basingstoke,

Wittgenstein's criticism of a "science of aesthetics" and the understanding of music

2017

Alessandra Brusadin

in: Wittgenstein on aesthetic understanding, Basingstoke,