Legends in our own time

how motion pictures and television shows fulfill the functions of myth

Elizabeth C. Hirschman

7-46

On semiotic determinism and the visual sign

Barry King

47-68

An argument against the conventionalist interpretation of images

Eduardo Neiva

69-90

Those powerful materialized dreams

Peirce on icons and the human imagination

Fernando Andacht

91-116

The semiotics of media images from independence day and september 11, 2001

Elliot Gaines

117-131

Flags and flagomania

the visual necromantic pandemia of the twentieth century

Anna Makolkin

133-156

Visual computer programming

semiotic and cognitive aspects

Sanda M. Tataram

157-173

A comparative analysis of the functions of film and theatre languages

Sanja Garic-Komnenic

175-196

The animated woman

the powerless beauty of Disney heroines from Snow White to Jasmine

Jacqueline M. Layng

197-215

Harry Smith's filmwork and the possibility of a universal symbology

Lewis

217-232

Painting

a phenomenological semiotics of art and visual perception

233-244

The semiotic anaysis of analytic cubism

W. S. Croddy

245-253

The communicology of the image Alain Robbe-Grillet, instantanés [snapshots] (1962 / 1986)

Richard L. Lanigan

255-265

Jean Mitry, semiotics and the analysis of film (2000)

Anthony Flinn

267-269

Wheeler Winston Dixon, It looks at you: the returned gaze of cinema (1995)

Dave Pruett

271-273

Berkeley Kaite, Pornography and difference (1995)

Bryan Dietrich

275-276

Maggie Humm, Feminism and film (1997)

Leo Havemann

277-279