Table of contents

Foreword

Anna-Teresa Tymieniecka

9-10

A theory of drama and theatre

Jadwiga Smith

3-62

On the sign character of the representing stratum in a film as work of art

Waclaw Osadnik, Lukasz Plesnar

63-78

The temporal composition of the literary work of art and the reader's aesthetic temporality

Yushiro Takei

81-107

The mystery of time in Roman Ingarden's philosophy

Maria Bielawka

109-117

Thomas de Quincey and Roman Ingarden

The phenomenology of the "literature of power"

Charles Rzepka

119-130

On translations

Roman W. Ingarden

131-192

Grand passions of humble folk

Woyzeck and the Jews' beech

Wolfgang Wittkowski

195-214

The enigma of interpretation in Chagall's disposition of space

Bruce Ross

215-231

Erotic modes of discourse

The union of mythos and dialectic in Plato's Phaedrus

Danny Smith

233-241

The man of genius as artist — suffering and world conscience

Constantin Crişan

243-248

The erotic phenomenology in Kierkegaard's Mozart

Leo Rauch

249-258

The Agamemnon

A drama of the passions

Marilyn Stewart

259-268

Narrative time as interpretation of human existence

Hanna Charney

269-278

Le langage de la création esthétique dans la phénoménologie

Mario Sancipriano

281-293

Unity in vedic aesthetics

The self-interacting dynamics of the knower, the known, and the process of knowing

William Haney Ii

295-319

An approach to the structure of the Japanese elegy

in the case of Yamanouë No Okura, a representative poet of Mannyoshu (the first collection of japenese poetry)

Susumu Kanata

321-333

Fantastic phenomonology

Richard Hull

335-348

Philosophic filaments in literature in English

Wordsworth to pound

Peter Morgan

349-355

Index of names