Introduction

invisible forces

pp. 1-19

in: Eirini Kartsaki, Repetition in performance, Basingstoke, Palgrave Macmillan, 2017

Abstract

The Introduction thinks about Haranczak/Navarre'sControl Signal and the kind of experience this creates, and links it to repetition's invisible forces. It draws on Gilles Deleuze's writing on Francis Bacon's work to consider how the latter may offer a way into understanding the experience of repetition on the spectator's body.