Margolis on Defining Art

James O. Young

University of Victoria

pp. 71-86

in: Andrea Baldini, Feng Peng, Hae-Wan Lee & Peter Cheyne (eds), The Definition of Art and the Legacy of Joseph Margolis, East Asian Journal of Philosophy 2 (2), 2023.

Abstract

Joseph Margolis’ writings on definitions of art, which often take the form of a debate with Morris Weitz, are under-appreciated. Margolis agrees with Weitz that the concept of art is open in the sense that works can be admitted to the class of artworks when these works do not have all of the properties thought to be necessary and sufficient for membership in the class prior to the time of its admission. Margolis also agreed that we cannot go back to the old project of defining art by determining the real essence of art. Nevertheless, he does not abandon the project of defining art in terms of necessary and sufficient conditions. These conditions are not, however, read off the real essence of art. Traditionally, the process of defining art began by inspecting artworks to determine what makes them valuable. Margolis realised that the only way forward at this point is to decide what is valuable and then decide what is art. Margolis’ approach has the consequence that definitions of art are what C. L. Stevenson (1938) called persuasive definitions.